editorial
Creative collaborations with photographers, art directors, and publications who ask something real of the spaces they inhabit.
Creative collaborations with photographers, art directors, and publications who ask something real of the spaces they inhabit.
Editorial work is where I get to think freely. There is no guest list to dress for, no room to soften. There is only an idea and the question of how flowers can carry it.
I work with a small number of photographers, stylists, and art directors each year — people who come to me with a direction, not a brief. The best collaborations happen when both people bring a point of view and trust each other enough to let it collide.
I am not interested in flowers that make a set look nice. I am interested in flowers that make an image feel like something specific — like a season, a memory, a mood that doesn't have a name yet.
Not decorating.
Collaborating.
"The camera sees what the eye overlooks. My job is to give it something worth stopping for."
I take on a small number of editorial collaborations each year. I work with photographers, stylists, art directors, and publications whose creative ambitions align with my own.
I don't do mood board briefs. I do conversations — about the concept, the light, the feeling you're chasing. If we're a good fit, the flowers will follow.
