Flowers are not the point. Feeling is the point. Everything I do starts there and ends there — and the flowers are just the most honest way I know to get to it.
I don't make
spaces beautiful.
I make them
feel like something.
I started La Flor in 2020 with almost nothing — a small apartment in Miami, a few buckets of flowers, and a belief that had been forming in me for years: that the way a space is dressed changes how the people inside it feel. Not just how it photographs. Not just how it looks in the moment. How it stays with them.
I grew up in a family that understood this intuitively — my grandmother kept flowers on the table every single day, even when there wasn't much else. I didn't understand it then. I understand it completely now.
I trained in floral design in New York, apprenticed under a studio in Paris for two years, and then came back to Miami — because this city, its light, its heat, its way of mixing the elegant with the unruly — it felt like the only honest place to make the kind of work I wanted to make.
I work with a small number of clients each year. Couples who want their wedding to feel like a specific kind of dream. Hosts who understand that a beautifully dressed table is remembered long after the evening ends. Creative directors who need a collaborator with a point of view, not just a pair of hands.
If that sounds like you — I'd love to hear about what you're creating. Every project I take on starts with a conversation, not a quote. I want to understand how you want to feel, and then I want to build that.
As seen in...
Every project moves through four phases. There are no templates, no standard packages, and no process that looks exactly the same twice — because no two clients feel the same way about the spaces they inhabit.
We meet — in person when possible, over a call when not. I don't ask you what flowers you like. I ask you how you want to feel. That conversation becomes the brief.
I develop a creative direction for your project — not a mood board of pretty images, but a written and visual proposal that describes exactly what we are building and why.
I source every stem personally, working with growers I trust — local when the season allows, further when it doesn't. Every arrangement is made by hand, the day of, so nothing is ever stale.
I am present for every installation. Not just to make sure it looks right — but to make sure it feels right. The space should stop you when you walk in. That's the only measure I use.