Flowers are not the point. Feeling is the point. Everything I do starts there and ends there — and the flowers are just the most honest way I know to get to it.

the studio

I don't make
spaces beautiful.
I make them
feel like something.

If you're reading this, you're probably the kind of person who notices things other people walk past.

I started La Flor in 2020 with almost nothing — a small apartment in Miami, a few buckets of flowers, and a belief that had been forming in me for years: that the way a space is dressed changes how the people inside it feel. Not just how it photographs. Not just how it looks in the moment. How it stays with them.

I grew up in a family that understood this intuitively — my grandmother kept flowers on the table every single day, even when there wasn't much else. I didn't understand it then. I understand it completely now.

I trained in floral design in New York, apprenticed under a studio in Paris for two years, and then came back to Miami — because this city, its light, its heat, its way of mixing the elegant with the unruly — it felt like the only honest place to make the kind of work I wanted to make.

I work with a small number of clients each year. Couples who want their wedding to feel like a specific kind of dream. Hosts who understand that a beautifully dressed table is remembered long after the evening ends. Creative directors who need a collaborator with a point of view, not just a pair of hands.

If that sounds like you — I'd love to hear about what you're creating. Every project I take on starts with a conversation, not a quote. I want to understand how you want to feel, and then I want to build that.


"The flowers are a vehicle. What we are really building is a feeling with a fixed address."

- flor

start a conversation

real moments

desserts

gorgeous florals

Every project moves through four phases. There are no templates, no standard packages, and no process that looks exactly the same twice — because no two clients feel the same way about the spaces they inhabit.

how i work

Unhurried.
Intentional.
Always personal.

We meet — in person when possible, over a call when not. I don't ask you what flowers you like. I ask you how you want to feel. That conversation becomes the brief.

01.

the conversation

I develop a creative direction for your project — not a mood board of pretty images, but a written and visual proposal that describes exactly what we are building and why.

02.

the vision

I source every stem personally, working with growers I trust — local when the season allows, further when it doesn't. Every arrangement is made by hand, the day of, so nothing is ever stale.

03.

the making

I am present for every installation. Not just to make sure it looks right — but to make sure it feels right. The space should stop you when you walk in. That's the only measure I use.

04.

the moment

1-2 weeks

1-2 weeks

variable

day of

behind the scene

The work happens early in the morning, usually. The stems sorted by colour and condition, the buckets lined up, the light coming in sideways through the studio windows. This is what it actually looks like.

A glimpse of
the studio.

let's design something beautiful

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weddings

events

editorial

weddings

events

editorial